Originally built in 1000 at the border between Anjou and Blois, the castle began life as a fortress. Burned to the ground by Louis XI in 1465, the rebuilt chateau became property of Catherine de Medici in 1550 and the famous trade happened in 1560. It is works commissioned by Mme de Poitiers which gives the chateau it's present design. Several other families owned the chateau before it was given to the state in 1938.
Today it is part of a public cultural program as well and two events were ongoing while we were there. One is the installment of modern art works in some of the chateau rooms and out-buildings. The other is an annual garden exhibition. We bought a ticket to both the chateau and the gardens.
You enter through a series of outbuildings that served as barns and stables for the estate and finally catch sight of the chateau as it overlooks the river.
Through the gate between the two towers, you enter a courtyard that once was enclosed.
The wing closing off the river view was torn down in the 1700s to allow river views from the courtyard.
There are the usual assortment of public areas for entertaining guests, bedrooms for kings and queens and smaller, private family rooms. And a chapel. However I was fascinated by the windows - each one was leaded in a different pattern that really attracted my eye. Here's a selection of what I saw:
looking across the courtyard toward the staircase of honor in the turret |
The chapel had an art installation in it that was beyond my comprehension. It seemed to be littered with downed tree branches decorated in bric-a-brac which made it difficult to discern the chapel itself.
The chapel with its art installation. Not my kind of art. |
The stained glass windows were beautiful and told the story of Chaumont |
Catherine de Medici bedroom
Portrait of Catherine de Medici |
The counsel room also had an art exhibit of glass globes with floral things inside, but it at least didn't cover up the magnificence of this room which was used for meeting with counselors and other important administrative folks.
I was likewise attracted to small details in carvings and floors that I found lovely to look at:
The porcupine was symbol of Louis XII of France. This was on the fire screen in the King's chamber. |
I liked the pattern in this tile floor from one of the bedrooms. |
Another porcupine |
Intertwined Cs for the Cossé family, one of the owners. The mountain on fire in the middle is the literal translation of Chaumont: Hot Mountain |
Carving on exterior wall of Nicolas entry gate |
The dining room
The library
This smaller room was warm and inviting with its wood book cases |
The grounds were beautiful, sitting above the town which nestled into the chateaus promontory along the river.
After a long day, the gardens were too much for me, so I found a pleasant place to sit while waiting for the others to investigate. The consensus is that we should come back when more is in bloom. Exhausted, we all fall into the cars for the 2-hour trip back home.
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